Catch the effects up with the audioif floor at cebb7ca

CHANGELOG.md

@@ -81,6 +81,24 @@ there, and are recorded in its changelog.
   nearest tom for every tom number a kit does not have. Each machine now
   sounds exactly the notes in its `NOTE_MAP`, and nothing else.
 
+### Fixed
+
+- **The effects catch up with the audioif floor at cebb7ca** (#66). Moving
+  `AUDIOIF_PIN` there for `acoustickit` brought five deliberate audioif
+  changes, and 27 tests went red. `AutoPan`'s Centre was mirrored, because
+  CircuitPython 10.3.0 reversed synthio's panning sign; its notes are paired
+  the other way now. A fresh mixer voice or synthio note now starts at level 0
+  and waits for a zero crossing, so the first block of `AutoPan`, `DeEsser`
+  and `MultibandCompressor` came out silent and then clicked in; each opens
+  its gates on one block of silence before it takes its source
+  (`_component.open_level_gates`). `Saturation`'s shelves moved to
+  `audiobiquad`, because `synthio.Biquad` is CircuitPython's Q15 arithmetic
+  again (audioif#77) and tape had lost its head bump. `BandPass` T1 now
+  holds in 55 of 56 cells, both stops included (audioif#64). The rest were
+  tests holding audioif's old behaviour: released nodes raise `ValueError`,
+  `Splitter` releases, `Dynamics.reset()` clears its key filters, and there
+  are 55 instruments.
+
 ### Removed
 
 - **`Rotary` is removed.** The Leslie-style rotating-speaker effect is no longer in `audioeffects`; nothing replaces it yet.

lib/audioeffects/README.md

@@ -125,7 +125,7 @@ marginal share of one block on each board at construction defaults.
 | `DynamicEQ` | audioif (`audiobiquad`, `audiodynamics`, `audioroute`) | 8 | 0 samples | 14.5 % P4 / 26.0 % S3 of a block at patch 0 against the palette-derived 17 % / 29 % (listed remainder; `Splitter` taps=3 is a named gap). T2/T5 miss above ~5 ms attack; T4/T6 out-of-band miss below Q 2 | none - the exactly complementary split: one bell that does nothing until the sound *in that band* crosses a threshold, and a measured **wire** when it is idle |
 | `LowPass` | audioif (`audiobiquad`) | 5 | 0 samples | 5.6 % P4 / 9.6 % S3 of a block, **over** its 1.5 % / 5 % budget, and no `" - lean"` patch is possible: every section runs whatever its `mix` is, so no macro position is cheaper than any other | none - the two-pole analog prototype `H(s) = 1/(s² + 2Rs + 1)`: one knob slides the curve, one decides how loud the corner stands, −3 dB at Resonance 0.707 and +24 dB at 16. **Exact except at the bottom of the Frequency knob**: at f₀ 20 Hz with Q 16 at 24 dB/oct the corner stands 0.44 dB low and the curve stops being one shape below 25 Hz (float32 coefficients near z = 1), and "rings for Q periods" is a 12 dB/oct statement below about 0.17·F_s - at 24 dB/oct the ring runs 1.36× the Resonance number at Q 2 up to 1.71× at Q 16. The roll-off, −12.03 dB/oct on the warped axis with unity DC, holds everywhere |
 | `HighPass` | audioif (`audiobiquad`) | 5 | 0 samples | 5.7 % P4 / 9.6 % S3 of a block, **over** its 1.5 % / 5 % budget, and no patch on this surface is cheaper - patch 0 is already one live section and two wires | none - RBJ's two-pole low-cut, with an exact transmission zero at DC: a held offset decays to zero rather than to the 71 LSB the ported node parks on at a 10 Hz corner. Two bounds, measured: the two numbers on the panel are exact only above about 40 Hz at 48 kHz - at a 10 Hz corner the peak is 0.6 dB shy of `Resonance` (Q 8, 24 dB/oct) and the curve is 0.21 dB off its own shape, both the node's `float` coefficients rather than the cut - and at 24 dB/oct the corner **rings 1.85x longer** than the knob says, which is the price of reading the same gain at both slopes. The cut, the 12/24 dB/oct skirt and the exact zero at DC hold everywhere |
-| `BandPass` | audioif (`audiobiquad`) | 4 | 0 samples | 3.8 % P4 / 6.2 % S3 of a block, inside its 4 % / 13 % budget, and the same at every patch | none - the two-pole resonant band-pass in RBJ's constant 0 dB peak-gain form, so `Width` moves the skirts without moving the peak. **Above 100 Hz.** Below it, at Q >= 4, the peak loses up to 0.50 dB and the loss changes sign with the level: the kernel's float32 recursion, not the form (audioif#64). The +-6 dB/oct and -3 dB figures are Q 0.707 statements below about 2 kHz - above that the bilinear warp moves them, and this class tracks the warped prototype to 0.009 dB |
+| `BandPass` | audioif (`audiobiquad`) | 4 | 0 samples | 3.8 % P4 / 6.2 % S3 of a block, inside its 4 % / 13 % budget, and the same at every patch | none - the two-pole resonant band-pass in RBJ's constant 0 dB peak-gain form, so `Width` moves the skirts without moving the peak. The peak holds within 0.05 dB in 55 of 56 measured cells, both knob stops included; the one miss is -0.09 dB at f0 31.5 Hz with Q 32 (audioif#64 fixed the rest). The +-6 dB/oct and -3 dB figures are Q 0.707 statements below about 2 kHz - above that the bilinear warp moves them, and this class tracks the warped prototype to 0.009 dB |
 | `Notch` | audioif (`audiobiquad`) | 5 | 0 samples | 5.6 % P4 / 9.6 % S3 of a block, **over** its 1.5 % / 5 % budget; a `" - lean"` patch is still owed and none was invented | none (the Twin-T was weighed and dropped on scope) - a band-stop whose `Width` is a bandwidth and not a depth, with a Harmonics toggle for mains hum. A `float` coefficient set cannot put the zeros exactly on the unit circle, so at 60 Hz it is a hum *reducer*, not an eliminator |
 | `LadderFilter` | audioif (`audioladder`) | 7 | 0 samples | 16.2 % P4 / 26.7 % S3 of a block at patch 4 against the palette-derived 17 % / 28 %; lean patch 6 is 8.6 % / 14.7 %. T5 and T1's stopband slope stay disconfirmed | the Moog transistor ladder - four one-pole stages round one global feedback loop with an odd saturator **inside** it, so the passband sinks as `Resonance` rises. That droop is the circuit |
 | `CombFilter` | audioif (`audioecho`, `audiobiquad`) | 6 | 0 samples | 7.4 % P4 / 12.2 % S3 of a block at patch 0 against the palette-derived 8 % / 13 %. Above Feedback 0.5 the parked ring's period is the nearest whole number of samples to F_s/Frequency, not the fractional delay the comb was asked for: +17.4 cents at 1760 Hz / Feedback 0.8 (27 samples at 48 kHz) and at most a half-sample — about 70 cents — near 4 kHz. The first-repeat tap still lands within 0.01 cents. Below Feedback 0.5, and at half-sample tunings, the tail reaches exact zero. T2/T5 miss at fractional tunings | none - the naked textbook feedback comb `y(n) = x(n) + g·y(n−M)`: a delay short enough to be a pitch, fed back, so noise grows resonances on that note's harmonic series |
@@ -266,33 +266,34 @@ macros move their children's controls.
 
 ## A note on how low a filter can go
 
-Anywhere in the band, is the short answer - but it is worth knowing that
-this was not always true, because the failure was silent and you may still
-meet it on a stock CircuitPython board (below).
-
-Every biquad in the engine used to keep its coefficients as Q15 integers,
-which is the right trade on a microcontroller and costs low frequencies.
-Below about 300 Hz they quantized into something that was no longer the
-filter you asked for: a `LowPass` at 100 Hz returned **silence**, a
-`HighPass` at 30 Hz returned **+21 dB of noise**, and a low shelf at 80 Hz
-lifted the whole band by 13.4 dB instead of its 1.5. A second, unrelated
-shortcut in the same file - one polynomial fitted to sine and cosine over
-[0, π/2], which is only 12 kHz at 48 kHz - broke the *top* of the band too,
-badly enough that a `HighPass` at 22 kHz passed its entire stopband.
-
-Both are fixed. Coefficients now get as many fractional bits as each
-individual filter has room for, the recursion accumulates in 64 bits and
-keeps its feedback below the sample grid, and the trigonometry is a proper
-series. Measured against the closed-form response, every mode lands within
-**0.03 dB from 50 Hz to 22 kHz**. Ten octave bands all read +6.01 dB or
-better on a +6 dB request - the claim `GraphicEQ` used to carry, and read on
-`ParametricEQ` since both were rebuilt onto `audiobiquad`. The pre-rebuild
-`MultibandCompressor`'s three bands recombined flat to 0.23 dB from 30 Hz to
-8 kHz on those Q15 biquads; the rebuilt class is on `audiobiquad`'s float
-sections instead, for the tail rather than the shape, and sums to 0.12 dB
-from 30 Hz to 20 kHz. [audioif's `docs/upstream-diff.md`](https://github.com/PyDevices/audioif/blob/main/docs/upstream-diff.md),
-"The biquads were Q15, so they could not go low", has the arithmetic, the
-before-and-after table, and what it cost in instructions on an M0.
+Anywhere in the band on `audiobiquad`, which is what the rebuilt filters and
+EQs here are built on. On `synthio.Biquad` - and so `audiofilters.Filter` and
+a `Note.filter` chain - the low end is CircuitPython's, on every target, and
+it is worth knowing why.
+
+CircuitPython keeps a biquad's coefficients as Q15 integers, which is the
+right trade on a microcontroller and costs low frequencies. Below about
+300 Hz they quantize into something that is no longer the filter you asked
+for: a `LowPass` at 100 Hz returned **silence**, a `HighPass` at 30 Hz
+returned **+21 dB of noise**, and a low shelf at 80 Hz lifted the whole band
+by 13.4 dB instead of its 1.5. A low-pass fed a DC burst can also park at a
+fixed point for ever - half of full scale from a 40 Hz low-pass.
+
+audioif widened that arithmetic once for every biquad. Since audioif#77 the
+split is by ownership: `synthio.Biquad` is a node CircuitPython also has, so
+it runs CircuitPython's arithmetic everywhere (at the current floor that
+80 Hz shelf reads -7.65 dB), and the widened kernel belongs to
+`audiobiquad`, which is audioif's own. There, coefficients get as many
+fractional bits as each filter has room for, the recursion accumulates in
+64 bits and keeps its feedback below the sample grid, and the trigonometry
+is a proper series. Measured against the closed-form response, every mode
+lands within **0.03 dB from 50 Hz to 22 kHz**. Ten octave bands all read
++6.01 dB or better on a +6 dB request, read on `ParametricEQ`. The rebuilt
+`MultibandCompressor` sums to 0.12 dB from 30 Hz to 20 kHz on
+`audiobiquad`'s float sections. `Saturation` builds its shelves there too,
+and falls back to `synthio.Biquad` only where `audiobiquad` is missing.
+[audioif's `docs/upstream-diff.md`](https://github.com/PyDevices/audioif/blob/main/docs/upstream-diff.md),
+"The biquads were Q15, so they could not go low", has the arithmetic.
 
 Nothing refuses a low frequency and nothing ever did, because a
 `LadderFilter` sweeping down through 40 Hz is a legitimate thing to do.

lib/audioeffects/_component.py

@@ -188,6 +188,38 @@ def macro_of(span, value):
     return int(round(macro_position(span, value) * 127))
 
 
+# --------------------------------------------------------------------------
+# Level gates
+
+
+def open_level_gates(node, voices, silence):
+    """Render one block of silence through `node` so every voice starts at
+    its level instead of at zero. Returns whether it could.
+
+    Since CircuitPython 10.3.0 a mixer voice or a synthio note does not take
+    a level, amplitude or pan change until its signal is at zero or changes
+    sign, and a fresh one starts at level 0 (audioif 4ec5718). So a class's
+    first block is gated: silent for material that does not cross zero in
+    it - a gain table, a ramp, an impulse at frame 0 - and then the level
+    steps in at the block boundary, which is a click. A zero sample opens
+    the gate at once, so each voice in `voices` plays `silence` (a looped
+    all-zero sample the node accepts) for one pull; the caller then hands
+    the voices their real sources. Set the levels first: a level moved
+    after this waits for a zero crossing, as it should.
+
+    `audiocore.get_buffer` is compiled out of CircuitPython's default board
+    builds (CIRCUITPY_AUDIOCORE_DEBUG), so there this does nothing and the
+    first block keeps upstream's behaviour.
+    """
+    pull = getattr(audiocore, "get_buffer", None)
+    if pull is None:
+        return False
+    for voice in voices:
+        voice.play(silence, loop=True)
+    pull(node)
+    return True
+
+
 # --------------------------------------------------------------------------
 # Metadata
 

lib/audioeffects/autopan.py

@@ -314,13 +314,30 @@ def _modulate_synth(self, rate_hz, wave_l, wave_r):
         if synth is None:
             synth = synthio.Synthesizer(
                 sample_rate=self._sample_rate, channel_count=2)
-            # CPython synthio pans +1 to the left column and -1 to the right
-            # (scaled panning in synthio.py). Native builds match that pair.
+            # Since CircuitPython 10.3.0, panning > 0 attenuates the LEFT
+            # channel, so -1 lands a note on the left column alone and +1 on
+            # the right, on every target (audioif 4ec5718). The pre-10.3.0
+            # pairing was the reverse and put each gain on the wrong side.
+            #
+            # A fresh note renders at level 0 until its output crosses zero
+            # (the same 10.3.0 change), and a gain table never does, so left
+            # alone the first block is silent and the gain then steps in -
+            # a click on whatever is already playing. The notes start on a
+            # silent waveform for one block, which opens the gate at its
+            # first sample (see `_component.open_level_gates`), and take
+            # their tables after it.
+            silent = array("h", bytes(2 * len(wave_l)))
             note_l = synthio.Note(
-                frequency=rate_hz, waveform=wave_l, panning=1.0)
+                frequency=rate_hz, waveform=silent, panning=-1.0)
             note_r = synthio.Note(
-                frequency=rate_hz, waveform=wave_r, panning=-1.0)
+                frequency=rate_hz, waveform=silent, panning=1.0)
             synth.press((note_l, note_r))
+            import audiocore
+            pull = getattr(audiocore, "get_buffer", None)
+            if pull is not None:
+                pull(synth)
+            note_l.waveform = wave_l
+            note_r.waveform = wave_r
             self._synth = synth
             self._note_l = note_l
             self._note_r = note_r

lib/audioeffects/bandpass.py

@@ -52,17 +52,17 @@
 belong to RBJ's prototype, which this class tracks to nine thousandths of a
 decibel wherever it was checked.
 
-**The build's one - the 0 dB peak is not held at a low centre with a narrow
-width.** T1 says the gain at f0 is 0.00 dB +- 0.05 at every width. Measured
-2026-09-07 over the whole `Frequency` x `Width` grid at four probe levels, it
-holds **at every width for f0 >= 100 Hz, and at every centre for Q <= 2**, and
-it does not hold in eleven of fifty-six cells below that - all of them f0
-<= 63 Hz with Q >= 4, worst **-0.50 dB at f0 20 Hz with Q 32**, which is the
-`Frequency` knob's bottom stop against the `Width` knob's top. Two knob turns
-from patch 5 `Sub Window`. What it sounds like: a sub-bass resonance up to
-half a decibel quieter than the same knob setting an octave higher, and the
-error changes sign with the signal level (+0.09 dB at -3 dBFS, -0.48 at -12,
-+0.44 at -20), so it is not a trim anyone can dial out.
+**The build's one - the 0 dB peak is not held at one low, narrow cell.** T1
+says the gain at f0 is 0.00 dB +- 0.05 at every width. Measured 2026-09-17 at
+the audioif cebb7ca floor over the whole `Frequency` x `Width` grid at four
+probe levels, it holds in fifty-five of fifty-six cells, both knob stops
+included, and misses in one: **-0.091 dB at f0 31.5 Hz with Q 32**. What it
+sounds like: nothing anyone will hear - a tenth of a decibel on the narrowest
+sub-bass band the knobs reach.
+
+It used to be eleven cells, all f0 <= 63 Hz with Q >= 4, worst -0.50 dB at
+the `Frequency` knob's bottom stop against the `Width` knob's top, with an
+error that changed sign with the signal level. The history of why follows.
 
 The cause is not this class and not the prototype. RBJ's closed form at that
 cell is `+0.00000 dB`, and `audiobiquad`'s own five coefficients, read off the
@@ -73,8 +73,9 @@
 coefficients cancel to seven parts in a million, so the increment single
 precision has to carry is 2e-5 of the numbers being differenced. Filed as
 audioif#64 with the fix (a transposed direct form II costs nothing at run
-time); this class is parked on it as audiocomponents#39. The measurement, the
-map and the four-way decomposition are
+time), and the fix landed; the one cell left is what it did not reach
+(audiocomponents#66). The measurement, the map and the four-way
+decomposition are
 `workspace docs/effects-internal/probes/phase2_probes/bandpass_lowcorner.py`.
 
 **The prototype's four**, each measured against RBJ's closed form at the
@@ -130,10 +131,10 @@ class never reads `self._transport()`.
 
 
 class BandPass(_component.Component):
-    """A resonant band-pass: 0 dB at the centre at every width above 100 Hz,
-    exact zeros at DC and Nyquist, +-6 dB/octave skirts (+-12 with `Slope`
-    on). Below 100 Hz at Q >= 4 the peak loses up to half a decibel - the
-    kernel's float32 recursion, audioif#64, module docstring."""
+    """A resonant band-pass: 0 dB at the centre at every width, exact zeros
+    at DC and Nyquist, +-6 dB/octave skirts (+-12 with `Slope` on). The one
+    exception is a tenth of a decibel at f0 31.5 Hz with Q 32 - module
+    docstring."""
 
     NAME = 'BandPass'
     DISPLAY_NAME = 'Band Pass'

lib/audioeffects/deesser.py

@@ -280,8 +280,6 @@ def _build(self, frequency=2500.0, range_db=12.0, sensitivity_db=30.0,
         band_only = bool(hf_only) or bool(listen)
         pre.voice[0].level = 0.0 if band_only else 1.0
         pre.voice[1].level = 1.0 if band_only else 0.0
-        pre.voice[0].play(raw.tap(0))
-        pre.voice[1].play(band.tap(0))
 
         duck = audiodynamics.Dynamics(
             audiodynamics.DYN_LIMIT,
@@ -300,11 +298,10 @@ def _build(self, frequency=2500.0, range_db=12.0, sensitivity_db=30.0,
         # comparison needs the whole signal, so the key cannot be the band.
         duck.key(top.tap(0))
 
+        # Voice 0 plays the dry, broadband; 1 the low half, HF-only; 2 the
+        # dry high half, HF-only; 3 the ducked stream, both modes. They are
+        # handed their sources at the end of construction - see there.
         out = audiomixer.Mixer(voice_count=4, **self._pcm(1024))
-        out.voice[0].play(raw.tap(1))    # the dry, broadband
-        out.voice[1].play(lows[1])       # the low half, HF-only
-        out.voice[2].play(band.tap(1))   # the dry high half, HF-only
-        out.voice[3].play(duck)          # the ducked stream, both modes
 
         # The class does NOT end in a mixer, and that is not decoration.
         # On CircuitPython `audiomixer.Mixer.reset_buffer` *stops* every
@@ -388,6 +385,21 @@ def _build(self, frequency=2500.0, range_db=12.0, sensitivity_db=30.0,
                            1.0 if hf_only else 0.0, release_ms, attack_ms,
                            1.0 if listen else 0.0), patch)
 
+        # The voices get their sources last, after the macros have set every
+        # level and corner. Since CircuitPython 10.3.0 a fresh mixer voice
+        # starts at level 0 and takes its level only when its signal crosses
+        # zero, so a Range 0 bypass rendered its first 256 frames silent on
+        # a ramp, and an impulse at frame 0 never came through at all. One
+        # block of silence opens every gate at the level just set
+        # (`_component.open_level_gates`); then each voice takes its source,
+        # `pre` before `out` because `out`'s voice 3 pulls through `pre`.
+        _component.open_level_gates(pre, [pre.voice[0], pre.voice[1]],
+                                    self._silence)
+        _component.open_level_gates(
+            out, [out.voice[index] for index in range(4)], self._silence)
+        for mixer, index, sample in self._voices:
+            mixer.voice[index].play(sample)
+
     # -- reset ---------------------------------------------------------
 
     def _reset_chain(self):